Self-portrait (2013). This tendency to symmetry, to draw the same thing twice, bothers me. And the ears are too close to the nose. Finally, I end up drawing the movement of my eyes and not the image reflected in the mirror. The movement also determines the montage. The movements of the eyes, arms and breathing. The self-portrait is 6 drawing sessions and two months of editing.

Grotesque States (2007-2011). States are proofs prior to an edition. The images are both inconclusive and definitive. Each image destroys the previous one on the copper plate. The video is a continuous fade of states, from first to 71.

Man with a Movie Camera (2006). Four-color photo-etching. Four copper plates for each image. Superimposed screens: those of each ink, those of the TV screen, those of a huge penis-camera prematurely obsolete. From cinema to print: moiré replaces human flesh.